Bourbon Montreal, Québec
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supported by 8 fans who also own “Peinture à numéro”
J’ai pas aimé du premier coup, mais, un jour, tout l’album s’est imposé comme un incontournable dans mes écoutes. C’est le band que je rechoisis le plus souvent et celui que je vais revoir avec autant d’excitation chaque fois. Bon Enfant, c’est un power band, composé de musicien·ne·s de grand talent qui pourraient partir chacun·e de leur bord et torcher des culs en solo. Mais quand i.elles s’unissent… Juste wow! Ma toune sur ce disque? depuis 6 mois : Magie!! hâte à la suite 🤘!
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supported by 8 fans who also own “Peinture à numéro”
go to album
supported by 8 fans who also own “Peinture à numéro”
Wow! These guys pick up the legacy of early to mid-70s heavy-prog bands such as their fellow countrymen Morse Code, or Pell Mell, or Czar, with their great interplay between guitar bursts and a massive keys/organ sound exuding melancholy. But then they add their own touch by injecting a whole new range of dynamics and some surprising cross-genre excursions (like the funkish vibes in Scutigères II). So good to see how an "ancient" and often uncelebrated sound can still sprout such fresh buds.
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For She Who Hangs The Moon
by David Luximon
Expansive music that has the gentle hush of ambient and the insistent pulse of post-rock; enveloping and absorbing.
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The Edge of the Land
by Katie Spencer
Spencer's indie folk sophomore album was recorded live in the studio over the course of two days.
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A Place Like Home
by Mr. Alec Bowman_Clarke
The new EP from Scottish songwriter Alec Bowman_Clarke goes deep, setting vulnerable lyrics to gentle melodies & stripped-back arrangements.
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supported by 8 fans who also own “Peinture à numéro”
Je pense sincèrement qu'il faut entendre "Andromaque", au moins une fois, vous n'en sortirez peut-être pas indemne.
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